An anthology of poems without words in the images and bodies of performers. The battle between everyday life and madness.

What shall we see when we look behind the curtain? What happens when a crack appears in the facade of our everyday life? What do we see through it?

Are there things we can only learn by hearing? How does our perspective become inverted if we choose hearing instead of visuality as our initial sense of knowledge?

CLOSING TIME – a theatrical ritual for another day. What do we have to do to make the sun rise again in the morning?

Kateřina Šobáňová, Stefan Bütschi and Continuo Theatre. Is a movement-visual confession about the aging of the human body, fragility, beauty, and the experience of the meaningfulness of one’s existence.

A visual poem – magic and grotesque journey into unknown landscapes
combining physical, puppet and visual theatre

On 25th August 1968 a slight woman is coming to Red Square in Moscow. She is pushing a pram with her three-month-old son. There is a hand-written banner under the baby blanket. It says For Your Freedom and Ours. The woman is sitting down on the pavement together with seven other people. They are spreading their banners just when the clock at Spassky Tower is striking noon.

An original production reflecting the current mood in society, where everyone is eagerly trying to shout out their last message.